Throwback Thursday: South: A Psychometric Text Adventure

eleanor_bannerThis week we revisit PhD student Eleanor Dare’s 2009 doctoral thesis. South: A Psychometric Text Adventure, is an artist’s book and a set of software programs designed to explore and establish new relationships between readers and narrative.

“This work may be described as emanating from traditions of interactive narrative that are not considered part of the main-stream of literature, such as self-help books, star sign and dream interpretations, and populist psychometrics. These forms could also be described as tailor-made or interest matching texts, in which the sense of the text having an intimate understanding and insight into its readers is essential.

“The South egg is an interim object, halfway between a book and a computer. The South software generates subject-specific material that can be loaded into it. The egg can then be taken to a specific location (the South Bank) and its instructions followed. The formation of dynamic relationships between readers and texts has been one of the central goals of my practice; as such, a large amount of my theoretical research has focused upon ideas relating to subjectivity and by extension to issues of epistemology and agency.

“While these theories have been central to my philosophical understanding of the field, I have also had to invent strategies that are effective in real-world situations and in relation to the real world materials and conditions of my practice. As a result South is built around a series of autonomous agents who perform analytical and interpretive tasks.

“My commitment to a reflexive practice emphasises the exploration of the proxy and in many ways subjective role these agents play on my behalf. Consequently the agents are both structural tools and unorthodox protagonists within this work. The limitations inherent in these agents, and the asymmetries of understanding between them and human readers, are framed as creative resources. This is not to define my materials as limiting or determining of my outcomes (or indeed to reduce the outcome of my practice to a particular set of skills in relation to those materials) but to describe a form of knowledge generation that is not easily separable from the contingency and materiality of my practice.”

Dr Eleanor Dare is now Author MSc Web Technologies at the University of Derby.
Eleanor’s blog

‘5 Robots named Paul’

From 4-8th September Patrick Tresset will be exhibiting his project ‘5 Robots named Paul’ at ARS electronica 2014 festival in Austria.

Patrick Tresset a Visiting Research Fellow at Goldsmiths uses what he calls “clumsy robotics” to create autonomous cybernetic entities that are playful projections of the artist.

In ‘5 Robots named Paul’, a scene reminiscent of a drawing class has been created, with robots attached to old school desks which are equipped with biros and paper. A seated volunteer is sketched by the robots through the ‘eyes’ of their obsolete digital cameras and webcams. The robot’s depictions look untidy, mimicking the movements of a human hand creating sketches which are pinned to the wall throughout the duration of the exhibition.

The project has been built upon research findings from computer vision, artificial intelligence and cognitive computing.

Patrick-Tresset-Sketches-by-Paul-2011

 

Digital Body Meetup – looking for contributors

digi-bodyBodiMEetup, a regular gathering to discuss new technologies around the idea of the “digital you”, is looking for contributors to share their stories and opinions, and discuss how to engage entrepreneurial leaders.

Our digital body is at the centre of our digital future, from avatar to mini-me statues, from fashion technology to bespoke tailor, from jewels to 3D printed organs. Technologies such as 3D body scanning, voice/face/palm recognition and personal health devices offer interesting commercial opportunities.

BodiMEetup is a place to discuss these issues. Got something to say? Or would you like to speak or nominate a speaker? Please contact Ricardo on davila.otoya@gmail.com / @davila_otoya

 

TEST SIGNAL computational arts degree show

Ever wanted a robot to make you a cup of tea? Or thought you could create music just by walking? Well these dreams are becoming a reality, as up and coming artists experiment with technology in a new show at Hotel Elephant from Thursday 11 to Saturday 13 September.

Blurring the boundaries between the virtual world and the physical world, these 17 young artists, from across the world, all met while studying Computational Art at Goldsmiths, University of London. They will be showcasing their works as part of their show, TEST SIGNAL.

Bringing together live performance, installation, audiovisual work, biosensors and robotics, this exhibition will give audiences the chance to see the most avant-garde experimentation in computational artwork.

Work that will be seen as part of TEST SIGNAL includes:

  • a robotic arm that you can control to try and make a cup of tea
  • a tunnel that analyses how you walk, and turns it into music
  • an interactive puppet theatre, that allows audiences to come onto the stage and interact with characters in the performance

Speaking about the work, Professor of Computer Art, William Latham, said: “Computational art is becoming more and more popular. Just look at the queues of people flocking to the Barbican to see the Digital Revolution exhibition. But this is only the beginning. What you will see at TEST SIGNAL is exciting new work by the newest postgraduate Goldsmiths talent showing the amazing potential of this emerging digital art form from the most innovative course in the UK.”

TEST SIGNAL is the final degree show of students who have studied on the MA in Computational Arts at Goldsmiths. This Masters develops students and helps them to apply skills in computational technology through arts practice.

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Goldsmiths Computing graduate in the Guardian

Ben Glover

Ben Glover – a recent graduate from BSc Creative Computing (2014) has been featured in the Guardian’s Culture Professionals Network.

During his time at Goldsmiths he developed a project to discover ways of using experimental software and hardware to generate interactive visualisations that are controlled by body movements. Dancers and choreographers were able to use this technology during the development and performance of a dance piece.

Working in collaboration with a dance student, ‘Interactive Technology in Dance’ was built using motion sensing gaming device, Microsoft Kinect, and open source C++ toolkit, OpenFrameworks. The software built by OpenFrameworks produced mathematically-generated images that could be controlled by body movements and gestures using the depth camera technology behind Kinect. The images in turn could be projected onto a screen for multiple uses in a studio or stage.

He is currently working as a freelance web designer with IntrAktion and is about to commence an MA in Digital Theatre at Wimbledon University.



Throwback Thursday: Lady/Applicant: The Lazarus

This week we journey back to 2011 to look at a multimedia installation on Sylvie Plath by Arts & Computational Technology PhD Chris Girard.

Lady/Applicant: The Lazarus is an experiment in new media poetics that strategically re-imagines the authorial identity of renowned confessional poet Sylvia Plath.

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By presenting collaged audio and video recordings of audio and places associated with her poetry, the project radically questions the power traditionally associated with the author.

Plath continues to be cast as a depressed wife and mother; the imperatives of this role still weighing heavy upon the production of her biography and the reception of her work.

The collaging of audio and video clips reembodies Plath as an omnipresent ghost and shifts meaning away from an exclusive association with the tragically depressed, the pathologized Plath.


Chris Girard is now an experimental collage poet based in Los Angeles whose work explores embodiment and identity. Visit Chris’ website

Event: V&A Digital Design Weekend

1.placeholder_1On Saturday 20 and Sun 21 September 2014, the V&A is hosting a weekend of events celebrating contemporary digital art and design. 

The weekend will include interactive installations, robotics, tinkering and inventive electronics, workshops, family activities, demonstrations and more. Part of London Design Festival, the weekend’s events include:

  • wind-reactive ink
  • a database on drones
  • a sound installation created by ‘reading’ financial reports
  • the International Space Orchestra
  • hands-on biological experimentation and set building
  • workshops on fixing your laptop, mobile or kettle
  • visualisations of the earth’s magnetic and gravitational forces
  • a computational necklace with heartbeat data.

Exhibitors include Goldsmiths Computing alumni Fabio Lattanzi Antinori and lecturer James Bridle. An evening film screening of Kubrick & Spielberg’s A.I. Artifical Intelligence will be introduced by Goldsmiths’ Professor Mark Bishop.


Creativity, independence and learning by doing.