An article in this week’s New Scientist magazine provides a short history of Automatic Art – from Russian Constructivism to protein visualisations and acid house album art.
The article gives an overview of the new exhibition, Automatic Art, which explores how art built on logical and mathematical rules ended up giving science new ways of seeing the world.
The Shamen’s Heal (The Separation) video from 1995, directed by William Latham, now Professor of Computing at Goldsmiths.