Category Archives: Women in Computing

Sonorities launch party concert, Fri 17 April

Join EAVI and the Sonic Arts Research Centre for a free day of audio-visual performances and workshops for the launch of Sonorities Festival of Contemporary Music. All welcome.

WORKSHOP in the GDS, Ben Pimlott Building
Fields: Sébastien Piquemal & Tim Shaw
Friday 17 April @ 1:00 pm – 5:00 pm
“In this workshop we will introduce participants to using Fields as a performance or installation tool for mobile devices.” Please register at fieldsworkshop.eventbrite.co.uk

LECTURE – Ben Pimlott Building Lecture Theatre
Dirt[y] Media Lecture: Caleb Kelly
Friday 17 April @ 4:45 pm – 6:00 pm
“This talk will fracture the narrative of the contemporary digital studio, a space imagined to be free from noise and contained. Re-reading media histories I will look at practices that are cracked, broken and at times actually dirty.”

CONCERT & LISTENING ROOM
Sonorities Launch Event
Friday 17 April @ 7:00 pm – Monday 20 April @ 7:00 pm
Join us for an evening of audio-visual performance as we launch the Sonics Immersive Media Lab facility. This concert also marks the London launch of Sonorities, the annual symposium and festival of contemporary music held at Queen’s University, Belfast.

This will be the first event held in the newly installed Sonics Immersive Media Lab at the converted church St James Hatcham, Goldsmiths, London SE14.

Concert Programme, 7pm-10pm Friday 17 April

Listening Room Programme, 7pm-10pm Friday 17 April

  • Laurie Radford: Vagus II
  • Jones Margarucci: Metamorfosi Interrotte (for fixed media)
  • Nicola Monopoli: 3 Stanzas
  • Vanessa Sorce-Lévesque: Dremen
  • Damian O’Riain: Configurational Energy Landscape No.9
  • Mari Ohno: Speaking Clock
  • Line Katcho: Aiguillage (Switches & Crossings)
  • Paul Fretwell: King’s Cross
  • James Surgenor: flux
  • David Berezan: Lightvessels
  • Richard Garrett: Once Below a Time
  • Sam Salem: The Fall (I)
  • Oliver Carman: Piano Fragments
  • Aidan Deery: Clearway
  • Roberto Zanata: Nero metropolitano
  • Félix-Antione Morin: Calligraphie II
  • Benjamin D. Whiting: Melodía sin melodía
  • Gilles Fresnais: Les chants de la terre (Earth songs)
  • Nicolas Marty: Nibelheim

Concert and Listening Room details

About Sonorities Festival at Queens University Belfast

Transmediale 2015 – Capture All

smart-city

Transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture and technology.

The activities of transmediale aim at fostering a critical understanding of contemporary culture and politics as saturated by media technologies. In the course of its 28 year history, the annual transmediale festival has turned into an essential event in the calendar of media art professionals, artists, activists and students from all over the world. The broad cultural appeal of the festival is recognised by the German federal government who supports the transmediale through its programme for beacons of contemporary culture.

At the ‘Predict & Command: Cities of Smart Control’ event featured our very own Sarah Kember, Professor of New Technologies of Communication at Goldsmiths. Her work incorporates new media, photography and feminist cultural approaches to science and technology. Experimental work includes an edited open access electronic book entitled Astrobiology and the Search for Life on Mars (Open Humanities Press, 2011) and ‘Media, Mars and Metamorphosis’ (Culture Machine, Vol. 11). Her latest monograph, with Joanna Zylinska, is Life After New Media: Mediation as a Vital Process (The MIT Press, 2012). Kember is in the process of setting up The Goldsmiths Press – a digital first University Press.

This particular conference addressed ‘post-digital urban life’ where every thing as well as every relation between things and subjects are potentially quantifiable and addressable, and thus rendered operational in a new way for economical and cultural (trans)-actions.

Questions which were raised included: What situations and relations of control over self, work, leisure and everyday life are emerging in the paradigm of the Smart City? What is the role of art in pushing such developments forward and/or resisting or altering their course? And how does civil society respond to these developments, for example in the form of citizen driven ways of outsmarting this new urban situation of technological ubiquity?

http://www.transmediale.de/

 

Marta Portocarrero, wins The Guardian’s Student Digital Journalist of the Year

marta_portocarrero

Marta Portocarrero a recent graduate from the Goldsmiths MA in Digital Journalism has just won the Student Digital Journalist of the Year.  We talk to her about her promising plans for the future in multimedia journalism and her upcoming internship at The Guardian.

Firstly many congratulations on winning the award. Can you tell me a bit about the piece you submitted for the award?

For this award I submitted three different pieces, which were all my assignments on Sandbox (a module of my MA). One was a long piece of writing about how it is to live in a hostel for a long time. It’s called Settling Down in a Hostel and, apart from writing, includes photography, video and parallax scrolling. The second one is a data-driven piece on Bike Theft in South East London. I have created a WordPress blog for that and analysed bike theft in different boroughs of South East London. It was useful to understand a bit more of data and play around with visualizations. The last one, is, again, a long piece of writing on a guy who has built his own houseboat and community in Deptford (“Living in a Floating Community“). This one is more “stylish” in what concerns to digital elements. It has a video banner and different pictures displays. I tried to explore my video skills and, as a result, there are two videos which are fundamental in the piece too.

What research did you undertake for the project during your time studying at Goldsmiths?

Since all the projects were part of my work for Sandbox, I worked hard and tried to apply all the skills I’ve learned in class but also to push a bit my boundaries each time, although I was far from thinking I could submit them for any award. For the first project (about the hostel), I interviewed a friend of mine who was living in a hostel for over three years and who had a great life story and allowed me to publish it. The research was basically finding a good topic and a great character to illustrate it. The second one was slightly more technical. I have decided to write about bike theft because there are a lot of people who cycle in London and because my bicycle was also stolen once, so I could somehow relate to the topic. I looked for data and found out that Metropolitan Police have a good database on that, so all I had to do was scraping their website, querying the data, building visualizations and writing a story according to my findings. The third one was similar to the first one and based on a good community story and a strong character. I also researched a bit on data related to houseboats moored on the Thames, but ended up not including it in the project.

Can you talk a little bit about why you chose the MA in Digital Journalism at Goldsmiths?

I did my BA in Journalism in Portugal and, then, I struggled to find a job there. So I went travelling for a while to clear up my mind a bit and decided that I would like to study some more. I quickly understood I wasn’t particularly interested in politics, economics, culture, etc… so the way wouldn’t be necessarily related to the content, but more to the shape. At the same time I was feeling more and more curious about how some digital pieces I could find online were built. When The New York Times published the Snow Fall, I understood that there were people actually doing what I had in mind. So, I emailed some of its journalist and asked for advice. They told me which skills I should aim to achieve and I started researching. I knew that the UK was a country where digital journalism was appreciated and I have found some interesting universities here. In the end, Goldsmiths was the most attractive one and, so far, seemed to have been the best choice.

Where are you currently working now?

I keep looking for a job. I’ve submitted some applications, here and abroad, and I am waiting on their answer, mostly multimedia/digital positions. Meanwhile, I keep doing some freelance projects similar to the ones I have done during the MA or some journalistic videos and short documentaries. I’ve recently done an internship at the interactive desk of The Financial Times. Since I’ve finished the MA the times haven’t been the easiest ones, but they have been essential for me to understand what I really want to do and which areas are not so much of my interest.

Whats on the horizon for the future?

First, I will do the internship at the multimedia desk of The Guardian, which I am really excited about. Then, depending on the results of my job applications, and if everything goes well, I may end up working on a multimedia desk of a media company here or abroad. If nothing goes as planned, I may try to look for some funding to do a web-documentary, which is an area that really fascinates me, given it’s combination of filming and technology (web designing, coding). In any project, I tend to prioritize storytelling, so in either way I think I would be happy.

Not all bad for #womenintech

Ada Lovelace
image: Ada Lovelace

‘There aren’t enough messages to young women that technology is a fascinating area to work in, a fast-moving field, one that rewards hard work, an area where you really can change the world’ (Naomi Alderman, The Guardian, 

The media has been rife with stories lately about women in technology, or rather the lack of them. According e-skills, the number of women working in the tech sector has fallen from 17% to 16% in 2014.

There are numerous initiatives to increase the number of women in the sector from the classroom to big business, yet in the last ten years the number of women in key roles in the technology industry has remained roughly unchanged.

Yet despite the statistics there are causes for celebration. We have very recently celebrated Ada Lovelace Day, who at the start of it all – working in the 1800’s – produced the first algorithm intended to be carried out by a machine. Because of this, she is often described as the world’s first computer programmer…a woman!

In April this year, the US appointed a female chief technology officer which is inspiring women across the country to break the gender bias in the tech industry. Megan Smith was previously a vice president of Google[x] at Google. Smith has been one of the country’s leading advocates in the movement to get more women into tech jobs*.
(*http://www.wired.com/2014/09/megan-smith-cto/?mbid=social_twitter )

Closer to home, the BSc in Digital Arts Computing course at Goldsmiths has defied the odds and attracted a 65% female cohort this year. A key element of this programme is that it integrates technical programming skills, theoretical and historical conceptions of art into a distinctively computational arts practice. The programme is taught in an integrated way, with a mix of critical studies and computational arts practice elements across both the Art and Computing departments.

We still have a long way to go, but rather than looking at cold statistics, lets focus on the positive stories and inspire the next generation of women programmers.

#womenintech

 

Modelling a Community’s Health and Mobility Patterns with Mobile Phone Data

Figure3

This Thursday at 3pm (16th October 2014), Kate Farrahi, Lecturer in Computing at Goldsmiths University will be giving a talk on ‘mobility patterns and interactions sensed by mobile phones’ at Cambridge University.

This data provides a new source for many applications both in research and industry. In this talk, she will discuss two mobile sensed data-driven applications, one based on mobility patterns and the other based on interaction patterns.

Human interactions sensed ubiquitously by cellphones can benefit many domains, particularly for monitoring the spread of disease. A community of 72’s flu patterns have been collected simultaneous to their interactions sensed by mobile phone Bluetooth logs. The focus of this work is to determine the accuracy of incorporating interaction data into dynamic epidemiology models for infection prediction.

Kate (Katayoun) Farrahi is a lecturer at the University of London, Goldsmiths. Her research focuses on large-scale human behaviour modelling and mining, with special interest in data science, computational social sciences, mobile phone sensor data, and machine learning. Farrahi received her Ph.D. in Computer Science from the Swiss Federal Institute of Technology (EPFL) Lausanne, and the Idiap Research Institute, Switzerland. She has spent time as an intern at MIT and is a recipient of the Google Anita Borg scholarship, and the Idiap research award.

This talk is part of the Computer Laboratory Systems Research Group Seminar series.

Baroesque Barometric Skirt


PhD candidate Rain Ashford at Goldsmiths has developed a ‘smart skirt’ which changes colour in response to environmental temperature, pressure and altitude.

The skirt also changes depending on the wearers own body temperature.

In June 2013 the skirt was presented at Smart Textiles Salon in Ghent, Belgium and has this month been featured in the New Scientist.

Throwback Thursday: South: A Psychometric Text Adventure

eleanor_bannerThis week we revisit PhD student Eleanor Dare’s 2009 doctoral thesis. South: A Psychometric Text Adventure, is an artist’s book and a set of software programs designed to explore and establish new relationships between readers and narrative.

“This work may be described as emanating from traditions of interactive narrative that are not considered part of the main-stream of literature, such as self-help books, star sign and dream interpretations, and populist psychometrics. These forms could also be described as tailor-made or interest matching texts, in which the sense of the text having an intimate understanding and insight into its readers is essential.

“The South egg is an interim object, halfway between a book and a computer. The South software generates subject-specific material that can be loaded into it. The egg can then be taken to a specific location (the South Bank) and its instructions followed. The formation of dynamic relationships between readers and texts has been one of the central goals of my practice; as such, a large amount of my theoretical research has focused upon ideas relating to subjectivity and by extension to issues of epistemology and agency.

“While these theories have been central to my philosophical understanding of the field, I have also had to invent strategies that are effective in real-world situations and in relation to the real world materials and conditions of my practice. As a result South is built around a series of autonomous agents who perform analytical and interpretive tasks.

“My commitment to a reflexive practice emphasises the exploration of the proxy and in many ways subjective role these agents play on my behalf. Consequently the agents are both structural tools and unorthodox protagonists within this work. The limitations inherent in these agents, and the asymmetries of understanding between them and human readers, are framed as creative resources. This is not to define my materials as limiting or determining of my outcomes (or indeed to reduce the outcome of my practice to a particular set of skills in relation to those materials) but to describe a form of knowledge generation that is not easily separable from the contingency and materiality of my practice.”

Dr Eleanor Dare is now Author MSc Web Technologies at the University of Derby.
Eleanor’s blog