Musicians will be able to use Artificial Intelligence to create new music and sound to share or sell, thanks to a project led by Goldsmiths.
At a time when many in the music industry worry their livelihoods are under threat from new technology, the MIMIC (Musically Intelligent Machines Interacting Creatively) project puts humans back in control of making music.
MIMIC will develop free, user-friendly web tools that harness the power of AI to listen to existing recordings and come up with new sounds and instruments interactively. Artists will own the sounds they create and can incorporate them into their music or sell them to others. The tools will meld the latest ‘deep learning’ AI methods with people’s creativity to empower a new generation of ‘cyborg’ musicians.
The £1m project is a collaboration between Goldsmiths, the University of Durham, the University of Sussex, and Google Magenta and has been funded by the UK’s Arts and Humanities Research Council (AHRC).
Mick Grierson, Professor of Computing at Goldsmiths and MIMIC project leader said: “In the past, to use these powerful Artificial Intelligence technologies you had to be an expert in programming: we want to make these technologies free and easy for anyone to use – from amateur music-makers and sonic experimenters to professional musicians.
“Rather than simply creating autonomous musical ‘robots’, we are harnessing Artificial Intelligence systems to augment human creativity. We’re inviting people to meld their musical talents and sonic curiosity to the very latest deep learning systems. Our interfaces will mean you don’t have to already know how to code to benefit from AI, you just have to want to make some noise. However, if you do want to code, you’ll be able to do so using a new language we will be creating specifically for making AI music systems.”
The AI technology powering MIMIC has already proved a hit with professional musicians: Massive Attack are currently using it to create new musical instruments for the upcoming tour celebrating the 20th anniversary of their Mezzanine album. Back in 2016, Sigur Ros used a similar system built by Grierson to create an evolving version of a single song for a 24-hour televised journey around the Icelandic coast. Now the Goldsmiths-led team wants to make these technologies accessible to anyone with an interest in musical creation and exploration.
This post, written by Pete Wilton, was originally published on Goldsmiths News