| Click on an underlined title to download the paper in Portable Document Format (PDF). |
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| 2011 |
Sloboda and Parker's recall paradigm for melodic memory: a new, computational perspective
Müllensiefen, Wiggins, 2011 - Music and the Mind: Essays in honour of John Sloboda, Oxford University Press. |
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Computer Models of (Music) Cognition.
Wiggins, 2011 - in
Rebuschat, Rohrmeier, Cross & Hawkins (eds.),
Language and Music as Cognitive Systems. Oxford University Press (in press)
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"I let the music speak": cross-domain application of a cognitive model of musical learning.
Wiggins, 2011 - in
Rebuschat & Williams (eds.),
Statistical Learning and Language Acquisition. Mouton De Gruyter (in press).
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Auditory Expectation: The Information Dynamics of Music Perception and Cognition.
Pearce, Wiggins, 2011 - Topics in Cognitive Science (in press).
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Defining Inspiration? Modelling non-conscious creative process.
Wiggins, 2011 - in Collins, D. (ed.), The Act of Musical Composition: Studies in the Creative Process, Ashgate, in press.
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| 2010 |
Development of Techniques for the
Computational Modelling of Harmony.
Whorley, Wiggins, Rhodes, Pearce, 2010 - In Ventura et al. (eds.), Proceedings of the International Conference on Computational Creativity, 2010 |
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Live coding towards computational creativity.
McLean, Wiggins, 2010 - In Ventura et al. (eds.), Proceedings of the International Conference on Computational Creativity, 2010 |
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Unsupervised Statistical Learning Underpins Computational,
Behavioural and Neural Manifestations of Musical Expectation.
Pearce, Herrojo Ruiz, Kapasi, Wiggins, Bhattacharya, 2010 - Neuroimage, 50(1):303-314. |
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Petrol: Reactive Pattern Language for Improvised Music.
McLean, Wiggins, 2010 - In Proceedings of the International Computer Music Conference, 2010 |
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On the non-existence of Music: Why Music Theory is a figment of the imagination.
Wiggins, Müllensiefen, Pearce, 2010 - Musicae Scientiae, Discussion Forum 5, 231-255. |
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Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model
Wiggins, 2010 - Musicae Scientiae, Special issue: Understanding Musical Structure and Form: papers in honour of Irène Deliège. 307-332. |
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I Let the Music Speak: A Model of Music
Perception that Predicts Speech Segmentation.
Wiggins, 2010 - Proceedings of the CogSci 2010. |
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A cross-domain model? Grouping of phonemes into syllables
by a model of melodic segmentation.
Wiggins, 2010 - Proceedings of the International Conference on Music Perception and Cognition. |
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Tidal - Pattern Language for the Live Coding of Music.
McLean, Wiggins, 2010 - Proceedings of the Conference on Sound and Music Computing. |
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Visualisation of Live Code.
McLean, Griffiths, Collins, Wiggins, 2010 - Proceedings of the Conference on Electronic Visualisation and the Arts. |
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Bricolage Programming in the Creative Arts.
McLean Wiggins, 2010 - Proceedings of the 22nd Psychology of Programming Interest Group (PPIG). |
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Unifying conceptual spaces: Concept formation in musical creative systems
Forth, Wiggins, McLean, 2010 - Minds and Machines, 20(4):503-532. |
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The role of expectation and probabilistic learning in auditory boundary perception: A model comparison
Pearce, Müllensiefen, Wiggins, 2010 - Perception, 39, 1367-91. |
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Melodic Grouping in Music Information Retrieval: New Methods and Applications
Pearce, Müllensiefen, Wiggins, 2010 - Advances in Music Information Retrieval, Springer, Studies in Computational Intelligence, 274, 364-388. |
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| 2009 |
From Maladaptation to Competition to Cooperation
in the Evolution of Musical Behaviour
Bown, Wiggins, 2009 - Musicae Scientiae, Special Issue on Evolution of Music, Vitouche (ed), pages 387-414. ESCOM |
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Computer-Representation of Music in the Research Environment.
Wiggins, 2009 - In Crawford & Gibson (eds.), Modern Methods for Musicology: Prospects, Proposals and Realities, pages 7-22. Oxford: Ashgate. |
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Computational Modelling of Music Cognition and Musical Creativity.
Wiggins, Pearce, Müllensiefen, 2009 - In Dean (ed.), Oxford Handbook of Computer Music. Chapter 19, pp. 383-420. Oxford University Press |
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An approach for identifying salient repetition in multidimensional representations of polyphonic music.
Forth, Wiggins, 2009 - In Chan, Daykin, Rahman (eds.), London Algorithmics 2008: Theory and Practice. Texts in Algorithmics Series, College Press |
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Words, Movement and Timbre.
McLean, Wiggins, 2009 - In Zahler, Dannenberg, (eds.), Proceedings of NIME 2009. |
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Information Theory and Musical Significance.
Wiggins, Gingras, Müllensiefen, Pearce, 2009 - In Proceedings of ESCOM 2009. |
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Unsupervised Statistical Learning in Melodic Expectation: Behavioural and Electrophysicological Support for a Computational Model.
Pearce, Herrojo Ruis, Kapas, Wiggins, Bhattacharya, 2009 - In Proceedings of ESCOM 2009. |
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Testing different models of melodic contour.
Müllenseifen, Bonometti, Stewart, Wiggins, 2009 - In Proceedings of ESCOM 2009. |
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Formalizing Invariances for Content-based Music Retrieval
Lemström, Wiggins, 2009 - In Proceedings of ISMIR 2009. |
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Music and Text: Integrating Scholarly Literature into Music Datasets
Lewis, Lewis, Crawford, Wiggins, 2009 - In Proceedings of DRHA 2009. |
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Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music
Wiggins, 2009 - In Proceedings of IEEE AdMIRe 2009. |
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Patterns of movement in live languages
McLean, Wiggins, 2009 - In Proceedings of CHArt, 2009. |
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| 2008 |
Schenkerian Reduction as Search.
Marsden, Wiggins, 2008 - Conference on Interdisciplinary Musicology, Thessaloniki, Greece. |
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An information-dynamic model of melodic segmentation.
Pearce, Müllensiefen, Wiggins, 2008 - International Workshop on Music and Machine Learning, Helsinki, Finland. |
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Meta-models of music cognition.
Pearce, Wiggins, 2008 - Music, Language and the Mind, Medford, MA. |
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Applying Tools from Natural Language Processing to Analysis of Harmony: A Bottom Up Approach.
Mauch, Müllensiefen, Dixon, Wiggins, 2008 - Music, Language and the Mind, Medford, MA. |
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Modelling Memory Responses in a Melody Recognition Task.
Halpern, Müllensiefen, Wiggins, 2008 - 10th International Conference on Music Perception and Cognition, Sapporo, Japan
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Polynomial Contour as a Core Feature for Representing Melodies.
Müllensiefen, Wiggins, 2008 - 10th International Conference on Music Perception and Cognition, Sapporo, Japan
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Perceptual Segmentation of Melodies: Ambiguity, Rules and Statistical Learning.
Pearce, Müllensiefen, Wiggins, Frieler, 2008 - 10th International Conference on Music Perception and Cognition, Sapporo, Japan
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Computational Modelling of the Cognition of Harmonic Movement.
Whorley, Pearce, Wiggins, 2008 - 10th International Conference on Music Perception and Cognition, Sapporo, Japan
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Can Statistical Language Models be Used for the Analysis of Harmonic Progressions?
Mauch, Müllensiefen, Dixon, Wiggins, 2008 - 10th International Conference on Music Perception and Cognition, Sapporo, Japan
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Vocable Synthesis.
McLean, Wiggins, 2008 - International Computer Music Conference, Belfast, Northern Ireland
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Musical Creativity on the Conceptual Level.
Forth, McLean, Wiggins, 2008 - International Joint Workshop on Computational Creativity, Madrid, Spain
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High-level Feature Descriptors and Corpus-Based Musicology: Techniques for Modelling Music Cognition.
Müllensiefen, Wiggins, Lewis, 2008 - in Schneider (ed.), Hamburger Jahrbuch für Musikwissenschaft 24 - Systematic and Comparative Musicology: Concepts, Methods, Findings
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A Comparison of Statistical and Rule-Based Models of Melodic Segmentation.
Pearce, Müllensiefen, Wiggins, 2008 - in Bello & Chew (eds.), International Conference on Music Information Retrieval (ISMIR)
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| 2007 |
Models of Musical Similarity.
Wiggins, 2007 - Musicae Scientiae, Discussion Forum 4a, 315-338 |
| Towards Greater Objectivity in Music Theory:
Information-Dynamic Analysis of Minimalist Music.
Potter, Wiggins, Pearce, 2007 - Musicae Scientiae, 11(2), 295-324 |
| Information Dynamics of Music: a case study of Philip Glass' Two Pages
Potter, Wiggins, Pearce, 2007 - 14th Biennial International Conference on Music Since 1900, York, UK, 2007 |
| Where's the Chorus? A Computational Approach to the Automatic Segmentation of Pop Songs
Müllensiefen, Lewis, Wiggins, 2007 - Fifth Biennial International Association for the Study of Popular Music Conference, Mexico City, Mexico, 2007 |
| Music: Evolution without Adaptation
Bown, Wiggins, 2007 - Music and Evolutionary Thought, Durham, UK, 2007 |
| Information Dynamics in Music Perception and Cognition
Pearce, Wiggins, 2007 - Music and Language as Cognitive Processes, Cambridge, UK, 2007 |
| Segmenting pop melodies: A model comparison approach
Müllensiefen, Pearce, Wiggins, Frieler, 2007 - SMPC'07, Montreal, Canada, 2007 |
| Biocultural Models of Interaction Between Musical and Non-Musical Forms of Behaviour in Evolution
Bown, Wiggins, 2007 - SMPC'07, Montreal, Canada, 2007 |
| Systematic Evaluation and Improvement of Statistical Models of Harmony
Whorley, Wiggins, Pearce, 2007 - CC'07, London, UK, 2007 |
| On the Meaning of Life (in Artificial Life Approaches to Music)
Bown, Wiggins, 2007 - CC'07, London, UK, 2007 |
| Evaluating Cognitive Models of Musical Composition
Pearce, Wiggins, 2007 - CC'07, London, UK, 2007 |
| Feature description and corpus-based musicology: Tools for modelling music cognition
Müllensiefen, Lewis, Wiggins, 2007 - IMS'07, Zürich, Switzerland, 2007 |
| Evaluating a Chord Labelling Algorithm
Müllensiefen, Lewis, Rhodes, Wiggins, 2007 - ISMIR'07, Vienna, Austria, 2007 |
| Methodological Considerations in Studies of Musical Similarity
Allan, Wiggins, 2007 - ISMIR'07, Vienna, Austria, 2007 |
| How Many Beans make Five? The Consensus Problem in
Music-Genre Classification and a New Evaluation Method
for Single-Genre Categorisation Sysytems
Craft, Wiggins, Crawford, 2007 - ISMIR'07, Vienna, Austria, 2007 |
| Review Article: "Computer Models of Musical Creativity" by David Cope
Wiggins, 2007 - Literary and Linguistic Computing, 23(1):109-116, 2007 |
| Apollonius diagrams and the
Representation of Sounds and Music
McLean, LeyMarie, Wiggins, 2007 - 4th International Symposium on Voronoi
Diagrams in Science and Engineering |
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| 2006 | Expectation in melody: The influence of context and learning.
Pearce, Wiggins, 2006 - Music Perception 23(5), pp. 377-406 |
| A Preliminary Framework for Description, Analysis and Comparison of
Creative Systems.
Wiggins, 2006 - Journal of Knowledge Based Systems 19(7), pp. 449-458 |
| Searching for Computational Creativity.
Wiggins, 2006 - New Generation Computing 24(3), pp. 209-222
(improved/extended version of 2005 paper) |
| The Information Dynamics of Melodic Boundary Detection.
Pearce, Wiggins, 2006 - International Conference on Music Perception and Cognition, Bologna, Italy |
| A Fast, Randomised, Maximum Subset Matching Algorithm for Document-Level Music Retrieval.
Clifford, Christodoulakis, Crawford, Meredith, Wiggins, 2006 - International Conference on Music Information Retrieval (ISMIR), Victoria, Canada |
| More Evidence for A Computational Memetics Approach to Music Information and New Interpretations of An
Aesthetic Fitness Measure.
Chan, Wiggins, 2006 - International Joint Workshop on Computational Creativity, Trento, Italy |
| Chorale harmonization: A view from a search control perspective.
Phon-Amnuaisuk, Smaill, Wiggins, 2006 - Journal of New Music Research, 35:4, 279-305 |
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| 2005 | Searching for Computational Creativity.
Wiggins, 2005 - IJCAI'05 Workshop on Computational Creativity |
| A Computational Memetics Approach to Music Information and Aesthetic Fitness.
Chan, Wiggins, 2005 - IJCAI'05 Workshop on Computational Creativity |
| Modelling Musical Behaviour in a Cultural-Evolutionary System.
Bown, Wiggins, 2005 - IJCAI'05 Workshop on Computational Creativity |
| Electroacoustic Performance Interfaces that Learn from their Users.
Melo, Drever, Wiggins, 2005 - International Computer Music Conference |
| Comparing Pitch Spelling Systems.
Meredith, Wiggins, 2005 - International Conference on Music Information Retrieval (ISMIR) |
| Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval.
Pickens, Crawford, Wiggins, 2005 - Conference on Computer Modelling and Music Retrieval |
| Questions of Musical Resemblance: `families' of pieces in an electronic corpus.
Lewis, Gale, Crawford, Wiggins, 2005 - 10th Conference on Digital Resources for the Humanities |
| Abstracting Musical Queries: Towards a Musicologist's Workbench.
Lewis, Crawford, Wiggins, Gale, 2005 - Conference on Computer Modelling and Music Retrieval |
| Methods for
combining statistical models of music.
Pearce, Conklin, Wiggins, 2005 - Music Modelling and Retrieval, ed. Will, pp 295-312, Springer-Verlag |
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| 2004 | Rethinking Gestalt influences on
melodic expectancy.
Pearce, Wiggins, 2004 - Proceedings of ICMPC-8, ed. S. D. Lipscomb, R. Ashley, R. O. Gjerdingen and
P. Webster, pp 367-371 |
| Improved Methods for Statistical Modelling
of Monophonic Music.
Pearce, Wiggins, 2004 - Journal of New Music Research, 33(4), 367-385. |
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| 2003 | Memory and Melodic Density: A Model for Melody Segmentation
Ferrand, Nelson, Wiggins, 2003 - Proceedings of the XIV Colloquium on Musical Informatics (XIV CIM 2003), ed. Bernardini, Giomi and Giosmin, pp 95-98, Florence, Italy |
| A Connectionist Approach to Driving Chord Progressions Using Tension
Melo, Wiggins, 2003 - Proceedings of the AISB'03 Symposium on Creativity in Arts and Science, ed. Gervás and Colton, Aberystwyth, Wales |
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An empirical comparison of the performance of PPM variants on a
prediction task with monophonic music.
Pearce, Wiggins, 2003 - Proceedings of the AISB'03 Symposium on Creativity in Arts and Science, ed. Gervás and Colton, Aberystwyth, Wales |
| Characterising Creative Systems
Wiggins, 2003 - Proceedings of the IJCAI'03 Workshop on Creative Systems, ed. Bento, Cardoso & Gero, IJCAI |
| Unsupervised Learning of Melodic Segmentation: A Memory-based Approach
Ferrand, Nelson, Wiggins, 2003 - Proceedings of 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM5), publ. ESCOM |
| Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music.
Meredith, Lemström, Wiggins, 2003 - Cambridge Music Processing Colloquium |
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| 2002 | Motivations and methodologies
for automation of the
compositional process
Pearce, Meredith & Wiggins, 2002 - Musicae
Scientiae, 6(2), 119-147, publ. ESCOM |
| Understanding (Musical) Creativity using AI methods
Wiggins, 2002 -
AI Symposium at the ESCOM 10th Anniversary Conference on Musical Creativity, Liège, Belgium |
| Computational Mimetics of Music
Chan & Wiggins, 2002 -
ESCOM 10th Anniversary Conference on Musical Creativity, Liège, Belgium |
| An
Experiment in the Automatic Creation of Music
which has Specific Emotional Content
Rutherford & Wiggins, 2002 -
7th International Conference on Music Perception and Cognition, Sydney,
Australia |
| A Computational Model for Chorale Harmonisation in the Style of J. S. Bach
Phon-Amnuaisuk, Smaill & Wiggins, 2002 -
7th International Conference on Music Perception and Cognition, Sydney,
Australia |
| Aspects of a cognitive theory of creativity in musical composition
Pearce & Wiggins, 2002 - 2nd International Workshop on Creative Systems,
European Conference on Artificial Intelligence, Lyon, France |
| Algorithms for discovering repeated patterns in representations of polyphonic music
Meredith, Lemström & Wiggins, 2002 -
Journal of New Music Research, 31(4), pp. 321-345. |
| SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval
Wiggins, Lemström & Meredith, 2002 -
International Symposium on Music Information Retrieval, Paris,
France |
| A Probabilistic Model for Melody Segmentation
Ferrand, Nelson & Wiggins, 2002 - Electronic Proceedings of the 2nd International Conference on Music and Artificial Intelligence (ICMAI 2002), Edinburgh, Scotland, UK |
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| 2001 | Towards A Framework for the Evaluation of Machine Compositions
Pearce & Wiggins, 2001 - Proceedings of the AISB'01 Symposium on AI and Creativity in Arts and Science, ed. Wiggins, AISB |
| Pattern induction and matching
in polyphonic music and other multidimensional datasets
Meredith, Wiggins & Lemström, 2001 - Proceedings of the SCI 2001
Conference, Ordlando, Florida |
