Category Archives: EAVI

EVENT: Goldsmiths’ SoundLab Play Space breaks down barriers to digital music making

Goldsmiths Computing experts have been testing musical technologies to work out which are the easiest to use, sound the best – and can be used by people with learning disabilities to make the music they want to make.

On Wednesday 25 November they’re hosting a day of free, fun and interactive performance, debate and play sessions at Nesta.

Where: Nesta, 1 Plough Place, London EC4A 1DE
When: 4-6pm and 6-8pm Wednesday 25 November
Tickets: SOLD OUT Get free tickets for the SoundLab Play Space

Participants will be able to experiment with top musical technology and talk to the developers who make it. There’ll be a chance to play in a digital pop-up band, watch live-performances, try out fantastic music-making apps, and take some home for free.

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From music apps that let you compose, DJ or play countless instruments with a fingertip, to those that make a voice sound amazing even if it’s not quite in tune, the SoundLab researchers have spent the last year rigorously testing iPhone/Pad, Android and web programmes.

Whether you’re a technologist, artist, musician, teacher, health expert or policy maker, SoundLab Play Space is designed to bring different people together to get a new perspective on, and debate, the future of music making.

SOUNDLAB1[1]

The SoundLab project is led by Heart n Soul, with Goldsmiths’ Dr Mick Grierson, Dr Rebecca Fiebrink and Dr Simon Katan working on research. SoundLab is a collaboration between our EAVI group, award-winning creative arts company Heart n Soul, and Public Domain Corporation, a company providing interactive experiences and technology for the games and digital arts sectors.

SoundLab has been funded by the Digital R&D Fund for the Arts, an initiative created by Nesta, Arts Council England, AHRC and the National Lottery.


Adapted from an article originally published in Goldsmiths News

Thu 8 October: EAVI experimental music night

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The legendary EAVI gigs are back for the new academic year, with a night of experimental & electronic beats, bass and new music at the Amersham Arms, New Cross.

EAVI gigs showcase a blend of music from electroacoustic pioneers to free improvisers, instrument builders and techno wizards. The gigs offer a way for EAVI’s research to find its way onto the stage and the dance floor. They are also a cheap, relaxed and friendly way to experience some of the most interesting, cutting edge new music you’ll find in London.


When: 8pm till late, Thursday 8 October 2015
Where: Amersham Arms, New Cross SE14 6TY. Map
Tickets: £5. Buy advance tickets for £4.50


This month’s performers > > > > >

grahamGraham Dunning – Rhythm and Drone Set
Master of mechanical techno and Ghost-in-the-Machine music, Graham Dunning presents his delicate and accidental form of techno. He is currently “maker in residence” at the Machines Room and hosts his own NTS radio programme, Fractal Meat on a Spongy Bone. About Rhythm and Drone

irisIris Garrelfs
An internationally-successful composer/performer intrigued by change, voices and technology, Iris uses her voice as raw material which she transmutes into machine noises or choral works. Her most recent ‘performance walk’ took place at the National Gallery as part of the Soundscapes Late series. About Iris Garrelfs

nunoNuno Correia
Audiovisual artist and researcher Nuno Correia is interested in interactive multi-sensorial experiences. Nuno will present AVZones, part of Goldsmiths’ Enabling AVUIs research project. This is an iPad audiovisual app – an audio sequencer/looper with a visualizer.

helenaHelena Hamilton
Belfast artist Helena marks the end of her three month residency with EAVI with a performance of The Butterflies in my Brain, where she transforms an overhead projector into a site-specific, performative sound device where all sounds originate live from within and around the machine. About Helena Hamilton

roseRose Dagul & Penny Klein
Rose Dagul is a composer, cellist and vocalist based in London. She writes patterned pop music under the moniker Rhosyn. Tonight she improvises under her own name with violinist Penny Klein – possibly an echo of their project Alien Wind.

Kim Kate
Kim Kate is a London based producer / DJ who brings a synesthesiac image onto the dance floor. Kim Kate sonifies connections between the city, technology and human perception.

DJs
Chloe Freida from Alien Jams & NTS and Mike & Dan of Team GBH will yet again be taking over the decks, providing the perfect soundtrack in between the acts and giving us something wonderful to dance to at the end.


EAVI XII: electronic & experimental music gig

On Thursday 7 May 2015, come to the Amersham Arms for the latest extraordinary gig from EAVI, Goldsmiths’ research group on embodied audiovisual interaction.

This month’s event – an election night special – features performances by some of the UK’s top composers, performers and sound artists, including Laetitia Sonami, Lucy Railton, Álvaro Sarasúa, Patricia Alessandrini and Richard Craig.

Where: Amersham Arms, 388 New Cross Road, London SE14 6TY
When: 8pm – late, Thursday 7 May 2015
Tickets: £5. Order online or pay on the door

Laetitia Sonami is best known for working with new instruments, in particular the Lady’s Glove, a pioneering sensor instrument for bringing the human body into the performance of electronic music. Her work combines text, music and found sound in compositions which have been described as “performance novels”.

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Lucy Railton’s solo cello sets don’t just involve playing the cello, they play the room, and vibrate every molecule in it, exploring every hidden resonance and micro-texture.  As an organiser of the Kammer Klang nights and the London Contemporary Music Festival, Lucy Railton has been making amazing musical things happen in London for years.


Patricia Alessandrini is a composer who works with live electronics and interactive multimedia, engaging with concert music repertoire and exploring issues of representation, perception and memory.  Richard Craig is a flautist and new music performer who has performed with groups such as ELISION, Musikfabrik and Klangforum Wien at international festivals including the Venice Biennale, Huddersfield Contemporary Music Festival, the Festival D’Automne in Paris and the Lincoln Center Festival in New York.

The performances of Quitters are a thing of true wonder. Imagine a heartbroken Ivor Cutler hijacking an RnB karaoke. Tears of joy and sadness are cried, and nothing is quite the same afterwards.

Álvaro Sarasúa is visiting EAVI from the Music Technology Group (UPF) in Barcelona where he is a member of the Barcelona Laptop Orchestra, exploring novel ideas in network music. He works in a variety of bands including Freakenders, UMO, Nomo and Audiolepsia. For EAVI XII he will be performing a solo version of CliX Redux, a piece that the Barcelona Laptop Orchestra performed in Sónar 2013.


 

Sonorities launch party concert, Fri 17 April

Join EAVI and the Sonic Arts Research Centre for a free day of audio-visual performances and workshops for the launch of Sonorities Festival of Contemporary Music. All welcome.

WORKSHOP in the GDS, Ben Pimlott Building
Fields: Sébastien Piquemal & Tim Shaw
Friday 17 April @ 1:00 pm – 5:00 pm
“In this workshop we will introduce participants to using Fields as a performance or installation tool for mobile devices.” Please register at fieldsworkshop.eventbrite.co.uk

LECTURE – Ben Pimlott Building Lecture Theatre
Dirt[y] Media Lecture: Caleb Kelly
Friday 17 April @ 4:45 pm – 6:00 pm
“This talk will fracture the narrative of the contemporary digital studio, a space imagined to be free from noise and contained. Re-reading media histories I will look at practices that are cracked, broken and at times actually dirty.”

CONCERT & LISTENING ROOM
Sonorities Launch Event
Friday 17 April @ 7:00 pm – Monday 20 April @ 7:00 pm
Join us for an evening of audio-visual performance as we launch the Sonics Immersive Media Lab facility. This concert also marks the London launch of Sonorities, the annual symposium and festival of contemporary music held at Queen’s University, Belfast.

This will be the first event held in the newly installed Sonics Immersive Media Lab at the converted church St James Hatcham, Goldsmiths, London SE14.

Concert Programme, 7pm-10pm Friday 17 April

Listening Room Programme, 7pm-10pm Friday 17 April

  • Laurie Radford: Vagus II
  • Jones Margarucci: Metamorfosi Interrotte (for fixed media)
  • Nicola Monopoli: 3 Stanzas
  • Vanessa Sorce-Lévesque: Dremen
  • Damian O’Riain: Configurational Energy Landscape No.9
  • Mari Ohno: Speaking Clock
  • Line Katcho: Aiguillage (Switches & Crossings)
  • Paul Fretwell: King’s Cross
  • James Surgenor: flux
  • David Berezan: Lightvessels
  • Richard Garrett: Once Below a Time
  • Sam Salem: The Fall (I)
  • Oliver Carman: Piano Fragments
  • Aidan Deery: Clearway
  • Roberto Zanata: Nero metropolitano
  • Félix-Antione Morin: Calligraphie II
  • Benjamin D. Whiting: Melodía sin melodía
  • Gilles Fresnais: Les chants de la terre (Earth songs)
  • Nicolas Marty: Nibelheim

Concert and Listening Room details

About Sonorities Festival at Queens University Belfast

Lecture on music conducting and repovizz

This Tuesday 14 April, Álvaro Sarasúa will give a talk about his work on expressivity in classical music conducting from naive listeners using repovizz.

Where: Ben Pimlott Building Lecture Theatre (ground floor), Goldsmiths
When: 3.30pm, Tuesday 14 April at 15h30 in the

Álvaro Sarasúa is currently a visiting researcher at Goldsmiths’  EAVI research group. His research focuses on the analysis of conducting gestures performed by participants with different musical backgrounds with the aim to build more intuitive and expressive interfaces drawing upon a conductor-orchestra metaphor.

In this talk, Álvaro will discuss the results of studies with different subjects conducting on top of classical music excerpts and recorded with a Kinect camera, exploring the relationship between their movements and the expressive aspects of the performance.

In addition, he will discuss his use of repoVizz (an online repository for multimodal data developed in the MTG), make some demos about the current possibilities of the tool and explain the directions for future development under projects such as RAPID-MIX, in which EAVI is a partner.

 

 

Goldsmiths researcher awarded Marie Curie Fellowship

about_presentation_800x400-783x250We are very pleased to announce that Dr Baptiste Caramiaux, post-doc on Goldsmiths’ MetaGesture Music project team, has been awarded a Marie Skłodowska-Curie Fellowship.

Baptiste’s project, entitled MIM – Enhancing Motion Interaction through Music Performance will be carried out in partnership with McGill University, Montreal with a final phase at IRCAM, Centre Pompidou, Paris.

The project aims to enhance Human Motion–Computer Interaction through a multidisciplinary approach between experimental psychology, music technology and computational modelling.

The project contributes to two main uncharted research areas:

  1. It contributes to the fundamental understanding of sensorimotor learning processes by considering complex human motion, specifically motion in music performance.
  2. It represents an original application of computational modelling by modelling expressive musical gestures and transferring these models to interactive systems.

Congratulations, Baptiste!


This blog post was adapted from a recent post on the EAVI website

Major funding for next-generation tech that adapts to human expression

Computer scientists at Goldsmiths, University of London have been awarded more than £1.6m to lead an international team in accelerating the development of advanced gaming and music technology that adapts to human body language, expression and feelings.

The success of first generation interfaces that capture body movement, such as the Nintendo Wii and Microsoft Kinect, has demonstrated a public appetite for technology that allows users to interact with creative multimedia systems in seamless ways.

The Rapid Mix consortium will now use years of research to develop advanced gaming, music and e-health technology that overcomes user frustrations, meets next generation expectations, and allows start-ups to compete with developments from major corporations, such as Apple, Google and Intel.

Rapid Mix will bring cutting-edge knowledge from three leading technology labs to a group of five creative industry SMEs, based in Spain, Portugal, France and the UK, who will use the research to develop prototype products.

Newly developed Application Programming Interfaces (the tools that allow software to interact with another programme) and new hardware designs will also be made available to the Do-It-Yourself community through the open access platform.

Rapid Mix is led by Professor Atau Tanaka from the Department of Computing at Goldsmiths, University of London, with Dr Rebecca Fiebrink and Dr Mick Grierson.

Professor Tanaka comments: “Humans are highly expressive beings. We communicate verbally but the body is also a major outlet for both conscious and unconscious expression. In this quest for expression we’ve created art, music and technology.

“Technological advances have their greatest impact when they enable us to express ourselves, so it logically follows that new, disruptive innovations need interfaces that take advantage of our expressivity, rather than acting to restrict it”.

“Microsoft has promised a Kinect 2 that detects heart rate to assess gamers’ responses, but small European businesses struggle to compete with the corporations when it comes to getting amazing products from the lab into the public’s hands. Our project aims to overcome this challenge and get new technology directly to users, where it will have true impact.”