{"id":910,"date":"2014-05-07T11:06:48","date_gmt":"2014-05-07T11:06:48","guid":{"rendered":"http:\/\/www.doc.gold.ac.uk\/blog\/?p=910"},"modified":"2014-05-07T11:07:43","modified_gmt":"2014-05-07T11:07:43","slug":"event-interaction-experience-centre-for-creative-collaborations","status":"publish","type":"post","link":"http:\/\/www.doc.gold.ac.uk\/blog\/?p=910","title":{"rendered":"Event: Interaction experience @ Centre for Creative Collaborations"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/79820006\" height=\"338\" width=\"600\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>\u2018Contours\u2019 is an immersive artwork where a series of tapestries responds to the presence of an interacting audience, by triggering soundscapes when they are touched.<\/p>\n<p><strong>Where:<\/strong> <a href=\"http:\/\/creative-collaboration.net\/about\/contact\/\">Centre for Creative Collaborations, <\/a>16 Acton Street, London WC1X 9NG<br \/>\n<strong>When:<\/strong> 6pm &#8211; 8pm, Thursday 29 May 2014 \u2013 <strong>FREE<\/strong><\/p>\n<p>The sound composition is generated in real time through a custom code software and it changes in relation to a constant feed of data relating to the weather of Vienna. The abstract geometric decoration that connects the tapestries\u2019 individual sensors to form giant ones is inspired by Wiener Werkst\u00e4tte designs from the MAK Collection.<\/p>\n<p>This constantly modulated data-driven soundscape is composed in real time and is reminiscent of a medical research environment; it serves as an acoustic feedback loop that alludes to the relationship between science and the body. They include sound modulation algorithms that are mainly creating realtime granulation and pitch shifting of samples prerecorded from tools usually employed to measure human body such as CT and PET scans, EKG plus various oscillators.<\/p>\n<p>The artwork was commissioned by the <a href=\"http:\/\/www.mak.at\/en\/program\/event?article_id=1350932577734\">MAK Museum of Applied Arts and Contemporary Art<\/a> in Vienna, as part of \u2018Scientific Skin\u2019, which features interactive experiments combining the human body and the latest scientific discoveries. The MAK invited the London based creative laboratory Bare Conductive to team up with Fabio L. Antinori and Alicja Pytlewska in order to develop a large-scale metaphor for the idea of breathing life into a textile skin.<\/p>\n<p><strong><em>A collaboration between <a href=\"http:\/\/www.bareconductive.com\">Bare Conductive<\/a>, <a href=\"http:\/\/www.lattanziantinori.com\">Fabio Antinori<\/a> and <a href=\"http:\/\/www.studioala.me\">Alicja Pytlewska<\/a>.<\/em><\/strong><br \/>\n<em> Screenprint, capacitive sensing, interactive tapestries, generative soundscape, custom code.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Contours\u2019 is an immersive artwork where a series of tapestries responds to the presence of an interacting audience, by triggering soundscapes when they are touched. Where: Centre for Creative Collaborations, 16 Acton Street, London WC1X 9NG When: 6pm &#8211; 8pm, Thursday 29 May 2014 \u2013 FREE The sound composition is generated in real time through &hellip; <a href=\"http:\/\/www.doc.gold.ac.uk\/blog\/?p=910\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Event: Interaction experience @ Centre for Creative Collaborations<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[105,110],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/910"}],"collection":[{"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=910"}],"version-history":[{"count":2,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/910\/revisions"}],"predecessor-version":[{"id":913,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=\/wp\/v2\/posts\/910\/revisions\/913"}],"wp:attachment":[{"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=910"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.doc.gold.ac.uk\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}